2008 Production

SHEIK, RATTLE 'N' ROLL

by Simon Denver and Ian Dorricott

Directed by Gayle Poor & Lois Fleming

11th - 20th July 2008

A musical adventure set in 800 B.C. Baghdad, Araby! A tale of confusion, power and intrigue involving princes, princesses - and Ali Baba and the “Faulty” thieves. Fly on the desert winds and discover the answers to great mysteries as you share in this daring desert date with destiny.

Family Tickets $65 Adults $20 Concession $16
Book now 9437 1574

Credit card facilities over the phone now available! (Not on night at ticketbox)

Download a booking form here and send in with your payment or credit card details to:
ELT Inc, PO Box 114 Eltham Vic 3095

Or click below to reserve your seats.

 

.....REHEARSALS.....

 

 


Interested in performing in our future Youth Theatre productions? Please call 9437 1574 and leave a message with your contact details. Alternatively, email our Youth Theatre Liaison, Lisa Klink with your details. You MUST be on the waiting list to be called up for an audition and be aged 10 or over. Previous cast members are already on the waiting list and do not need to make contact again.

WORKSHOPS:

PLAY AROUND Theatre Company
Offers classes and groups for young people beginning or developing dramatic skills including improvisation, characterisation, script work, auditioning skills and confidence building. Classes are held in Youth Road, Eltham. Contact Raelene on 0411 763 609.

ST MARTINS YOUTH GROUP
St Martins offers a wide number of performance workshops for ages five to twenty five.
Each Tutor is an industry professional who wants to share that knowledge with you.

Darebin Youth Theatre Links
Youth Events in Nillumbik
Performing & Visual Art Groups for youth with a disability
Heidelberg Youth Theatre
Nillumbik Youth Services
Kids who wanna write
For fun

 

2007 Production
(Encouragement Award Winner Katya Gaiotto)
(Nomination for Technical Excellence Award, Virginia Donnelly & Lyndal Connor. Costume Design)

PIMPERNEL

by Mary McMahon & Ian Dorricott
Directed by Gayle Poor & Lois Fleming

13 - 22 July 2007
The Cast

THE ENGLISH

Sir Percy Blakeney James Plant
Sir Andrew Nick Fleming
Lady M Blakeney Katya Gaiotto
Armand Thomas Boon
Mrs Jolly Bianca Becker
Sally Sarah Klink
Bridget Gretel Donnelly
Rose Morgan Thomas-Connor
Abigail Natassja Shayer
Nell Melissa McKinlay

THE FRENCH

Mde Tussaud Alexandra Griffin
Chauvelin Anthony Daoulas
Sgt Bibot Josh Tiplady
Mdm Desfarge Luke Higgins
Emil Anthony Poor
Host of le Coq d'Or Adam Lees
La Comtesse Elysia Schultz
Suzanne Lauren Daoulas

GIRLS CHORUS

Madeline Howes
Emma Nixon
Sarah Roccuzzo

BOYS CHORUS

Ben Howes
Cameron Donnelly
Ryan Shadbolt
Nathan Kerwood
Zac Matthews
Ben Fleming

The Crew


Director ........................................
Choreographer .............................
Stage Manager .............................
Production Liaison.........................
Youth Liaison ................................
Backstage Crew ............................

Production Set Designer ...............
Set Realisation .............................
Scenic Artists ................................
Sound Design ...............................
Sound / Lighting Crew .................

Costume Design ...........................
Costumes .....................................


Hair & Makeup .............................
Wardrobe Co-ordinator ................
Poster Design ...............................
Programme Design ......................
Ticket Secretary ...........................
Publicity .......................................

Photography ................................
Front of House ..............................
Recorded Interviews ....................

Musicians
Keyboard .....................................


Gayle Poor & Lois Fleming
Lois Fleming
Llaaneath Poor & Ryan Griffin
Marc Currie
Lisa Klink
Lachlan Ruthven, Aidan Blackman, Anthony Kilkenny & Jessie Thomas-Connor
Gayle Poor
Phil Holmes, Marc Currie, Mel de Bono & Mick Poor
Mick Poor & Lara Russell
Rob Wanless
Campbell Black, Alan Redfern, Andrew Page, Cameron Cook
Virginia Donnelly assisted by Lyndal Connor
Virginia Donnelly, Lyndal Connor, Janine Kerwood, Lisa Klink, Gail Shadbolt, Annette Hall, Marilou Higgins, Bonnie Rothwell
Alda Roccuzzo
Marilyn Pearce
Paula Armstrong
Tammie Kite
Pat Croft
Publicity Team (Paula Armstrong, David McKinlay, Joan Cox, Fiona Hudspith) and Members
Studio Imagery and David McKinlay
Pat McClintock and Members of ELT
David McKinlay


Ian Forsyth

 

Directed by Gayle Poor & Lois Fleming
By kind permission of Maverick Musicals Pty Ltd

"They seek him here, they seek him there, those Frenchies seek him everywhere"

Set in France and England during the French Revolution, Engilsh Nobleman Sir Percy Blakeney, under the nom-de-guerre of The Pimpernel, rescues innocent aristocrats from the shadow of the guillotine. In the taverns, avoiding the Executioner, the Morris dancers and the Fops, the story of the Pimpernel weaves its "journee dangereuse", with Madame Tussaud waxing lyrical in her "Hall of Fame". A sparkling show which attempts to answer in song "Why Does No-one Understand the French?"

 


2006 Production
(Best 2006 Production Award)
(Best Actor)
(Best Costumes)

HOW THE WEST WAS WARPED

by Simon Denver and Donald Woodward
Directed by Gayle Poor & Lois Fleming

30 June - 9 July 2006

The Cast
The Crew

Bad Bart ...................
Miss Kitty ..................
Stumpy .....................
Annabelle ................
Sheriff Starr ..............
Miss Frost .................
Hero ..........................
Miss Lamb .................
Mrs Starr ....................
Carmen ......................
Desperados ................

Indian Chief ..............
Driver .........................
Clem ...........................
Show Girls ...................

Girls' Chorus ................


Cameo
.........................
Boys' Chorus ................

Jessy Hall
Llaaneath Poor
Josh Tiplady
Alexandra Griffin
Nick Fleming
Sarah Klink
Ryan Griffin
Lauren Daoulas
Morgan Thomas-Connor
Katy Hocking
Adam Lees, Luke Higgins, Ben Fleming
Anthony Poor
Anthony Daoulas
Sean Higgins
Bianca Becker, Katya Gaiotto, Aife Horsley, Selina Zhou
Laura-Lee Caruana, Monique Caruana, Laura Griffin, Melissa McKinlay, Rebecca Watson
Gretel Donelley
Thomas Boon, Riley Byrne, Cameron Donelley, Ryan Shadbolt

Directors ......................................
Stage Manager
...........................
Assistant Stage Manager
.............
Choreography
.............................
Youth Liaison
...............................
Production Co-ordination..............
Set Realisation/Construction
.......

Lighting Designer/Operation
........
Lighting Assistants
......................

Sound Engineer
..........................
Sound Operator
...........................
Props
...........................................
Costume Design
..........................
Wardrobe
....................................

Poster &
Programme Design ......
Ticket Secretary
..........................
Publicity
......................................
Photography
...............................
Front of House
.............................
Keyboard .....................................
Guitar ...........................................
Drums ..........................................
Saxaphone/Clarinet .....................

Gayle Poor & Lois Fleming
Kate Stow
Callum Robertson
Lois Fleming
Lisa Klink
Gayle Poor, Mark Currie, Lisa Klink
Mark Currie, Mick Poor,
Richard Sargentson and members
Graham Batcheler
Leigh Fiddes, Chris Garnham, Campbell Black
Rob Wanless
Ben Forsyth
David McKinlay & members
Virginia Donelley
Virginia Donelley, Bonnie Rothwell, Lyndal Connor, Lisa Klink
Paula Armstrong
Pat McClintock
Paula Armstrong & members
Studio Imagery
Pat McClintock and Members of ELT
Ian Forsyth
Chris Fleming
Luke Forsyth
Becky Fleming





Click here to see newspaper article in Diamond Valley News (jpeg)
Click here for poster
Click here for the sake of clicking here

(Photos courtesy of Studio Imagery)

HOW THE WEST WAS WARPED
By Simon Denver and Donald Woodward
Directed by Gayle Poor and Lois Fleming
Reviewed by Phyll Freeman
2nd July 2006, matinee (as appeared in Theatrecraft – August Edition)

On the front page of Theatrecraft:
Attending a Youth Production performance at Eltham Little Theatre of How the West was Warped recently, I was amazed by the talent of these young performers and I hope they are encouraged to stay involved in theatre.Then I received two great photos from Ian Clark of Studio Imagery, which captured some moments from the show. There was certainly never a dull moment with the directors using the doors from the foyer for the cast to exit and enter throughout the entire show. One moment cowboys, the next Indians. Great fun!I was told by one of the directors, Gayle Poor, that the oldest member of the cast was seventeen (Ryan Griffin, the Hero) and the youngest, the cutest little Indian, Gretel Donelley was only around five years oldSo keep an eye out for some of these stars of the future!
(Victorian Drama League Inc. Theatrecraft – August, 2006)

On a bleak and wintry afternoon, I sallied forth to Eltham for some fun and frivolity. Some thirty odd youngsters gave us an energetic production of How the West was Warped. And warped it certainly was! Under the dual direction of Gayle and Lois, we saw a well-staged and paced offering containing good cowboys (white hats), Desperados (black hats), lots of holerin’ Indians and quite a few finger-snapping Mexicans.Set in 1873, the story tells of a gold mining town in the Wild West, which needs a new Sheriff. The local bad man sets himself up as the Law and proceeds to take over the whole town, including Miss Kitty’s Saloon. The new Sheriff arrives and reluctantly tries to take back the running of the town together with the Temperance League and an old gold miner (and let’s not forget the Hero).The performers used entrances in the auditorium, so that we, the audience, became part of the proceedings – I had creeping Indians, desperados and Mexicans all around me. One of the best sequences was when the three rival gangs were creeping around the gold mine in the dark. The cast went into freeze mode satisfactorily.The main setting onstage was the Lucky Strike Saloon, with stairs leading up on both back exits, chairs, tables and even a piano. Set decoration was excellent. I also noticed railway sleepers lining the stage at floor level. There was even a sleeper for the front-row patrons to rest their feet!Costumes were well done, especially the showgirl outfits. The all white attire of the Hero suited the character. Make-up was detailed, curling mustachios painted on the Mexicans and even that ‘five o’clock shadow’ look for Bad Bart. Lighting and sound effects worked well.The four-piece band were situated next to the patrons on floor level, stage right. I found the music just a tad too loud (especially the percussion), masking the young voices at times. They needed the hand mikes, which were used during the musical numbers.With such a large cast, space does not permit me to go into too much detail, but mention must be made of the accomplished Llaneath Poor as Miss Kitty, the Saloon owner, who would do anything to keep her Saloon from Bad Bart, played effectively by Jessy Hall. Sarah Klink as Miss Frost the Temperance lady was very composed and with good diction. Nick Fleming was a hoot as the cowardly Sheriff, together with Morgan Thomas Connor as Mrs Starr – his very formidable mother! Josh Tiplady as Stumpy, the old gold miner, gave us a strong mid-west accent but unfortunately, it was not easy to understand him at all times.Ryan Griffith as the Hero reminded me of a very young Wayne Newton, especially his vacant, starry-eyed look. Alexandra Griffith as Stumpy’s tomboy daughter, Annabelle had shades of Annie Oakley in her performance. In the second act we met Carmen – Katy Hocking who, together with Sean Higgins and the Chorus girls, rendered a very professional number, which quickened the pace considerably.Eltham are to be commended for the unlimited patience, blood, sweat and tears needed to mount this production and giving the next generation a taste of the discipline and dedication needed for the theatre.Front-of-house staff were kept busy, especially with the afternoon tea and helped to round off a pleasant afternoon.(The Victorian Drama League Inc. Theatrecraft Aug 2006)




2005 Production

The Cast of The Dracula Spectacula

The Dracula Spectacula was nominated for 10 awards and was awarded the Technical Excellence Award for Costumes, and a Special Encouragement Award to Jasmine Dare.

 

THE DRACULA SPECTACULA
Books and lyrics by John Gardener
Music by Andrew Parr
Directed by Gayle Poor & Lois Fleming

Schoolteacher Nadia Naïve finds herself battling the power of evil in deepest Transylvania in this full-of-fun spooky musical. At her side are noble Nick Nookie, Father O’Stake and the cuddly Hans and Gretal. Can they conquer the forces of darkness? Dracula, Prince of Darkness, his mother the Countess Wraith and their grovelling minion Genghis are formidable opponents.

Performances:
Friday: 8th & 15th July
Saturday: 9th & 16th July
Sunday matinee: 10th & 17th July
Doors open 7.30pm, performance at 8pm sharp. Matinee performances, doors open 1.30pm, performance 2pm sharp.

Bookings: 9437 1574

 

The Youth Production "The Dracula Spectacula" has been cast and the performers will be:
Nadia
Kelly
Julie
Elvis
Pilot
Mistress Landau
Herr Hans
Frau Gretel
Nick
Father O’Stake
Count Dracula
Countess Wraith
Genghis
Rebecca Fleming
Lauren Daoulas
Alexandra Griffin
Anthony Daoulas
Callum Robertson
Natalie McQualter
Alex Potts
Llaaneath Poor
Sean Guzzi
James Plant
Filip Kocevski
Jasmine Dare
Josh Tiplady
Air Hostess/Pretty Girls

Brides of Dracula

Girls Chorus




Boys Chorus
Jasmine Dare, Julia Vengust, Alicia Vengust

Katya Gaiotto, Julia Vengust, Alicia Vengust
Laura-Lee Caruana, Laura Griffin, Sarah Klink, Melissa McKinlay,
Chelsea Potenzi, Morgan Thomas-Connor

Riley Byrne, Nick Fleming, Ben Fleming, Luke Higgins, Adam Lees, Anthony Poor,
Ryan Shadbolt

From the Directors…..

In the last three years of staging full-scale youth productions we have enjoyed the benefits of working in a team and very much value the support given by those people who share the same vision. We are fortunate this year to have added some adult members to the cast who have generously shared their stagecraft and experience with the younger members. Their input has added another dimension to the children’s stage experience and we look forward to more of this in future productions. To this end we would especially like to thank Keith Cattach and Sean Guzzi. Special mention must also go to Robert Rich and Jasmine Dare for going beyond the call of duty!

Gayle and Lois

The Dracula Spectacula

Review by Peter Kemp
Directors: Gayle Poor & Lois Fleming.

The theatre's future is assured with Eltham Little Theatre's annual children's production. This year 2005 was The Dracula Spectacula. A musical set in America , in a Brau Haus somewhere in Transylvania and in Dracula's Castle.
The story of school teacher Nadia Naïve who took her school class on a trip to Transylvania and a meeting with the Count Dracula.
A well set stage of the Brau Haus which also easily converted to Dracula's castle.
A cast of 29 and an orchestra of three who were at rear of stage which allowed the singers to be clearly heard.
Becky Fleming was Nadia Naïve, a wonderful portrayal capturing the innocence as required. Her students were Elvis, played by Anthony Daoulas, Kelly played by Lauren Daoulas and Julia played by Alexandra Griffin. All gave good performances, confidant and played to the audience.
Alex Potts was Hans the proprietor of the Brau House. Alex caught the character and gave a fine performance. His wife Gretel was played by Llaaneath who had a natural feel for the stage and projected well. Sean Guzzi was Nick Nookie the handsome hero. Sean gave a good portrayal and had a good rapport with Becky Fleming.
Keith Cattach caught the evil of Dracula with expertise and had one of the best villainous laughs heard on stage for a long time.
Josh Tiplady was Dracula's minion Genghis. Josh gave a fair portrayal and must have been uncomfortable by the end of the performance as he spent the time as a bent over hunchback which he kept up the whole performance.
Jasmine Dare was Countess Wraith, Dracula's mother. Good projection and a fair performance although she did have a little wig trouble but showed good stage experience by not letting it phase her and the way she handled the problem with aplomb even so the audience could even believe it was part of the act.
A good and fun evening and showing the enjoyment and expertise by the young performers and congratulations to the directors Gayle Poor and Lois Fleming for a successful and enjoyable evening.

The Dracula Spectacula
Reviewed by Graeme McCoubrie – 9th July

As appeared in Theatrecraft

It is twelve months since Director Gayle Poor observed to me that today’s youth are the backbone of tomorrow’s theatre so it is important to provide them with the opportunity of performing and learning stagecraft. And this was the case for some 30 young – and a sprinkling of mature actors, in presenting Eltham Little Theatre’s annual youth production The Dracula Spectacula.

It is the third production directed by the team of Gayle Poor and Lois Fleming and they should be pleased with the result. While of dark Gothic origins as one would expect, this production was light hearted and bounced along with youthful energy.

A young American Schoolteacher Nadia Naïve (Becky Fleming) – “naïve in name and in nature”, takes her class on a field trip to deepest Transylvania only to fall under the spell of the evil vampire Dracula. She has to battle the powers of evil in this spooky musical. But help is not far away in the form of Dr Noble Nick Nookie (Sean Guzzi) – a young Doctor with a mission complete with his business card. More help is provided by God fearing cleric Father O’Stake (James Plant) and the proprietors of the towns Inn, Gretel (Llaaneath Poor) and Hans (Alex Potts).

The full stage was used and needed for the choreographed musical numbers while a thrust walkway split the front section of the audience. Good use of this was made as the story developed with the actors using this as an exit, giving us the feeling we were actually there and part of the scenes. Fold back flats to either side of the stage allowed changes from street scenes, inside the inn to the very deepest crypt inside Dracula’s Castle.

At centre upstage behind a black scrim that was outlined as a stone archway giving us the effect of a deep recess, was placed the Keyboard, Guitar and Drums providing a well modulated backing. It was good to see and hear the work of the young drummer (Scott Barton).

While the first half introduced us to the main players it was not until the second act when we meet The Prince of Vampires, Count Dracula (Keith Cattach) and his lumbering sidekick Genghis (Josh Tiplady). And there was Dracula’s mother – young and evil looking Countess Wraith (Jasmine Dare) who kept encouraging yet interrupting her son in his evil work. Dracula wanted the schoolteacher Nadia, well her blood firstly so he set up a ceremony of marriage and had his three fanged Brides fetch Nadia to the deepest crypt where he could drink her blood and have eternal life.

He was thwarted just in time as one would expect by Dr Nick, Father O’Stake and Hans and Gretel. Dracula, his mother and his faithful sidekick were then banished down into the Castle’s deepest dungeon never to appear again… well, that’s what we thought.

Among the many songs there were some rousing numbers with thigh and knee slapping with hand clapping in true Bavarian style. Positive Action Man sung by Dr Nick and If You Want to be a Super Rat like Me by Dracula got good reaction while some general chorus numbers were accompanied by suitable choreography (Lois Fleming). Notable was the performance of (Josh Tiplady) Dracula’s sidekick who tried very hard to please his Master – but found that he was always misunderstood.

The Innkeepers, Hans and Gretel maintaining their accents throughout their performance – even while singing, were well received. A drunken pilot (Callum Robertson) and schoolboy Elvis (Anthony Daoulas) added comic relief to several ‘serious’ situations.

All Youth Productions need encouragement and VDL Member Theatre Companies would be well advised to follow Eltham’s lead in staging at least on Youth production each year to ensure fostering the craft amongst those that will follow us.

Again to Eltham Little Theatre – thank you for an entertaining performance.

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2004 Production
Rocka Socka
Review by Peter Kemp


Eltham Little Theatre produced the annual youth theatre production with 2004 season of Rocka Socka. The story of the struggling soccer club City trying to win the six a side world cup. Their adventures take the audience from Wembley to Paris and to Mexico.
A keen young cast very energetic and surprisingly good singing voices. The dancing standard could have been a little higher as some of the dancers were watching each other to get the steps instead of looking to the audience.
A large cast but a few highlights were Sheba Shekelstein the manager of City Football Club. Llaaneath Poor as Sheba has a good stage presence and gave a good portrayal. Sheba's daughter was Sylv played by Marianne Pierce who caught the feel of the character.
Andrew Larter was Joe Rabbit the tea boy who became the soccer hero. Andrew gave a great performance in the role. Nick Fleming was the team member Titch. Nick is a young boy between five and six in years and about a quarter the size of the other team members and looked great.
The referee and Mexican President was given a stunning performance by Anthony Douglas. Anthony a young lad of approximately six years of age who has the possibility of a good stage career in front of him.
The production consisted of four football teams, the City Football Club committee, the fans and the football officials. Three of the teams were the French, English and Mexican. These three were played by the same members, all girls who did a great job playing the different nationalities.
A fun filled, enthusiastic cast and showing the future of theatre is assured with such keen and young players
.

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